"A-L-C-I-B-I-A-D-E-S!" --Ben Sylvester, 9th grade History teacher, September 1972
"No, Mister McDonnell, a newspaper would not have said 411 B.C. back then."
"Sir, I was joking..."
Chuckling now, "You like to make history fun, don't you? --conversation with Ben Sylvester, October 1972
"Some look at the glass as half empty; others as half-full. Moi? I just drink it." --Yours truly, who knows when or who (is the original source); Harrison disclaimer hereby invoked
"Raymond Spruance, the quiet warrior, will go on to win many victories in command of ever vaster forces. Yet, in history, like Nelson of Trafalgar, he will remain Spruance of Midway." --Herman Wouk, War and Remembrance, 1978 (novel) and 1988 (mini-series)
Always disposed toward learning more about the great battle of Midway Atoll exactly two years before D-Day, I heard about this John Ford documentary and decided to give it a go. The thing about an old propaganda film is to watch it the right way. This was a trick I learned at Choate one late Saturday night when Mr Yankus wasn't around and we had invaded his apartment to watch Buck Rogers or Flash Gordon flics, I can not remember which after four decades.
While the films seemed laughable in their dated silliness, I decided to try something for one film. Pretend, really put my mind to it, that I was my dad as a kid watching the flic -- to be my father back in the 1930s and what such a film must have been like for him to watch. It worked. I really enjoyed the film. With many years of brain barnacles accumulated, it is not so easy for me to do that these days.
The applicable parent for this Midway news-reel would have been my mother; Dad was likely already in the Navy by then. Mom was twelve in 1942; she lived in Squirrel Hill in the part on Bartlett Street where many Jews lived and so the ghastliness of Germany was already pretty well known.
My grandfather, a proud Swiss German American, hung his head in sadness and shame; many of his business partners in real estate were Jewish Ashkenazi turned Americans over the preceding couple of centuries and all knew
something terrible was happening in their Germany.
So I imagine Frank, my grandfather, coming home one evening calling his four girls -- my grandmother and the three daughters -- to go see a documentary in from the Pacific War: John Ford's eighteen minute newsreel on the great battle of Midway.
Challenging as it is, I try very hard to imagine what my mother's childhood home might have looked like -- the art deco feel of lighting, perhaps some deco decor interspersed with older furniture. Then, I imagine the roar of a big car coming up outside in front of the tudor plaster home with its one hundred foot lawn in the middle of a city.
The great thing about Pittsburgh was that this was a life attainable by hard-working middle class people; it was an American dream that really existed once. Grand-pa is jumping out and beckoning his harem to get in the car to shuttle over the two year old Squirrel Hill theater, a mile away on Forward Avenue.
There is a brief argument as Grand-ma is concerned about blowing through too many ration points for petrol; that gas might be crucial for getting to church the following Sunday. I can imagine my grandfather saying, "Come on, Mary, God will forgive us...we gotta see this news-reel about that big battle out there in Pacific."
As my mother, I imagine being in the back seat fighting to carve out a bigger space than that to be allotted to her two little sisters, Adelia (nick-named Nancy) and Katie. The fuss continues until mother Mary lowers the boom; equality is restored. The car's shocks are dulled with prolonged use and no replacements anywhere to be found in city or sight; the ride is bumpy while the three girls play 'bumper' in the back seat -- crossing their arms and side-slamming.
Frank pulls the car up in front the sleek and ultra-modern Squirrel Hill theater. Again civil war erupts in the back seat over the scramble to eject from the metal whale. My grand-mother imposes her maternal, more like martial, law. She gets the tickets and Grand-pa parks the car and walks back.
To keep the mission on track, Frank does what he does best -- he dotes on his darling daughters, promising an ice-cream cone, one that looks like a sky-scraper, from Isaly's or perhaps a soda from Rosen's -- after a quick supper. That meant some yummy food at a delicatessen on Murray Hill. The girls had hit it big.

So their attention span is safely locked in for at least the twenty minutes of the news-reel. The Squirrel Hill Theater is smaller than the great big movie houses downtown like the Warner or Fulton but it is as lush in the hipness of art deco drapes trusseling along the side and big curtain in the front, opening to a new world twice every evening -- three times on week-ends.
The theater still smells fresh and clean like an institution to be respected not an inconvenience to be endured for the sake of entertainment. The proprietor comes out the stage. He is from one of the finer Jewish families -- articulate, educated at UPenn and genteel.
I think hard about the world of a twelve year old in 1942; back then, twelve was still a kid's age though little Mary was already five feet, six inches and quite precocious with her voracious appetite for reading. Nevertheless, that twelve year girl likely did not really know what was happening; what she had been hearing over the past weeks and months did not sound good to her at all.
Some of those older, I mean older, brothers of her friends were gone. Most getting ready to sail to Europe, for obvious reasons. But Midway involved the Japanese -- those people who sneak-attacked our country at Pearl Harbour. Frank was the kind of kindly gentleman who likely said that these Japanese were people, too, like you and me but dragged out to fight.
Such humane dissent was quickly dismissed. The Jewish gentleman steps in front of the curtain. He makes brief eye-contact with my grand-father. He smiles and waves quickly to Frank as he does to some other familiar faces -- his special invitees.
He says, "Thank you for coming tonight to the special showing of this documentary about the great victory the United States of America won at Midway. To most of us, a week ago, Midway was that Howard Johnson's...you know...
"...about a hundred miles along the new turnpike to Philadelphia. Now it is something more, much more than even our new toll road. I am delighted to see many friends here tonight. This news-reel is directed by John Ford and led by Henry Fonda..."
A hush quickly descends the audience -- even the three sisters, though they know not why. Who can forget 'The
The Grapes of Wrath', in which Ford and Fonda had teamed up and teemed out, just eighteen months before, in a manner the young Mary never forgot.
Now the three girls want candy but Grand-ma flatly states that sweets will ruin their supper, dining later than usual this Friday night; and, if they keep it up, they can kiss the cone good-bye, too. The girls sit still. My mother, a little older is more interested in the topic of the evening. Nancy and Katie take their cue, more from sister Mary than mother Mary.
The theater's owner wraps up his remarks, "I think you will find this film to be sobering, ladies and gentlemen; it has real footage from that titanic clash." He bows slightly; the friendly audience obliges him with a polite applause -- from five hundred almost exclusively white faces.
Pittsburgh's Jewish community is already leading the charge for change on behalf of negroes. Nevertheless, with the rumors coming in with refugees from Poland, these good and decent people who make Squirrel Hill -- no, all of Pittsburgh -- special are pre-occupied. Though it is only 1942, the Forward Theater that night has some black faces in the audience. After all, the negroes are fighting, too.
The theater's proprietor, rather shy and modest, blushes slightly and leaves the stage and the lights go down; the music starts up; and, the great curtain in undrawn slowly, almost deliberatively, so solemn is the short film twelve year old Mary is about to watch, eyes widening and tears welling along the way.
The barnacles are scraped. I am in a simpler time, a more modest time, when sticking out was not part of a core curriculum born of the atomizing forces of technology and social media. I am ready to watch this film and see it not as dated propaganda but as the soul-food for a hungry people, desperate for good news...
A PARTING ASIDE
Bravò, NetFlix! Messrs Diller, Rudin and Spielberg are trying to hearken back to film-makers like John Ford and their untold role in World War II. Out of this effort came some of the great American films of the Twentieth Century: 'Mrs Miniver', 'It's a Wonderful Life', 'The Best Years of Our Lives', 'Battle of San Pietro', et al. Of course, other Producers / Directors made great films, too (e.g., Ernst Lubitsch, Hal Wallis or Frank Lloyd).
But Messrs Stevens, Huston, Capra, Wylie and Ford went into the hornets' nest to bring the war, and its aftermath, home to the rest of us. And, yes, as the mind settles in 1942, one can be an 'us'. And who can forget that consolation prize winner of this genre? Don't all clap at once!